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Samuel Palmer Coming from Evening Church 1830
Tate Gallery, London
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Samuel Palmer The Rest on the Flight into Egypt 2 1825
Ashmolean Museum, Oxford
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Samuel Palmer In a Shoreham Garden mk49
c.1829
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Samuel Palmer Coming from Evening Church mk49
1830
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Samuel Palmer The Valley Thick with Corn mk49
1825
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Samuel Palmer A Cascade in Shadow mk49
1836
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Samuel Palmer The Prospect mk49
1881
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Samuel Palmer Harvesting mk49
1863
Watercolour
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Samuel Palmer The Eastern Gate mk49
1881
Watercolour
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Samuel Palmer Cornfield by Moonlight mk49
c.1830
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Samuel Palmer Sketch from Nature in Syon park mk49
1819
Oil on linen laid onto millboard
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Samuel Palmer Study of Old Builings mk49
1821
Brown ink and brown wash
19.2x26.7cm
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Samuel Palmer Evening mk49
1821
Brown ink and brown wash
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Samuel Palmer A Hilly Scene mk49
c.1824-6
Watercolour and gum arabic on mahogany support
20.6x13.7cm
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Samuel Palmer At Hailsham,Storm Approaching mk49
1821
Watercolour
wash and gouache.
20.9x31.4cm
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Samuel Palmer Rest on the Flight into Egypt or Holy Family mk49
c.1824-8
Oil and tempera on panel
31x39cm
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Samuel Palmer A Barn with a Mossy Roof mk49
c.1828-9
Watercolour,gouache,tinted gum and pen and black ink
27.8x37.7cm
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Samuel Palmer A Cow-Lodge with a Mossy Roof mk49
c.1828-9
Watercolour,gouache,gum arabic and black ink
26.7x36.5cm
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Samuel Palmer Cart Shed and Lane mk49
1828
Ink,Watercolour and gouache,
27.8x45cm
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Samuel Palmer Oak Trees,Lullingstone Park mk49
1828
Ink and watercolour
29.5x46.8cm
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Samuel Palmer
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1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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